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Entrance to the Museo Galileo in Florence, Italy.
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“And but it moves”: Galileo’s index and center fingers, lovingly preserved.
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A nearer survey at Galileo’s center finger.
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Series of early telescopes.
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A neatly-organized armillary sphere (1588-1593) constructed for Ferdinand I de’ Medici.
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A end-up of the armillary sphere.
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A 16th century astrolabe former by Galileo for mountainous calculations.
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A circle-dividing engine (1762) former to price scale divisions on arcs of circles while making astronomy or nautical devices.
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An equipment for experiments with elastic and inelastic collisions from the mid to late 18th century.
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A 20th century replica of the 14th century bas reduction from Giotto’s bell tower.
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The Writing Hand (1764), a clockwork mechanism that moves a hand, dipping a pen within the inkstand to write phrases.
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An 18th century chemistry cupboard that belonged to Tremendous Duke Peter Leopold, who did chemistry experiments as a hobby.
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Tabula Affinitatum (circa 1766), a desk of the chemical affinities between substances.
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Incandescent words from 19th century physicist James Clerk Maxwell.
Sean Carroll
Guests to Florence, Italy, invariably line up in droves to tour the enviornment-favorite Cathedral of St. Mary of the Flower, most principal for its soaring dome designed by Filippo Brunelleschi within the early 15th century. The strains assuredly snake across the block, even in sweltering summer season warmth. For these that receive the strains quite too daunting, Florence will seemingly be dwelling to 1 other advisable gem: the Museo Galileo, housed within the 11th century Palazzo Castellani along the River Arno.
As the title implies, the museum is dedicated to Galileo Galilei, but the astronomical sequence factors all method of historical scientific devices and experimental equipment from the Medici Series, as neatly as later artifacts donated by the Lorraine dynasty. Heaps of them are so expertly made, they qualify as right artworks.
The predominant ground displays your full Galileo artifacts; most principal are two telescopes and a framed objective lens from the telescope at some level of which he first observed the moons of Jupiter. There are also a full bunch smaller devices—thermometers, sextants, astrolabes—and a good deal of globes, as neatly as a astronomical armillary sphere, designed and constructed by the Italian astronomer Antonio Santucci.
Among the more interesting, albeit morbid, artifacts are two of Galileo’s fingers, removed from his corpse (along with a enamel and vertebra) by Galileo fans one day within the 18th century. The two fingers had been rediscovered after they grew to change into up at an auction in 2009. Narrative has it that after Galileo change into once pressured to recant his views referring to the Copernican design, he defiantly muttered, “E pur si muove“ (“And but it moves”). The legend is potentially apocryphal, but the phrase pairs neatly with the notify of the scientist’s center finger.
The Lorraine Series is housed on the 2d ground, with a enormous vary of devices and equipment showcasing the explosion of examine into electrical energy, electromagnetism, and chemistry. Right here, one can receive beautifully constructed machines illustrating diversified main physics guidelines. For instance, there is a mannequin of a tool identified as an Archimedes screw. The conception dates inspire to historical Egypt, where it change into once former to glide low-lying water into irrigation ditches. This day the tool is former in chocolate fountains, amongst other purposes.
Regarded as one of my private favourite items is a so-called Brachistochronous descend from the mid to late18th century, resulting from it illustrates a knotty mathematical conundrum. Assuming two mounted factors, one better than the different, what form would a crooked course between these factors must be for a rolling ball to succeed within the lower level the quickest? The resolution is a cycloid, which is the curve created by a rolling wheel in a circle. Turn that course upside down and likewise you might maybe well get the course of quickest descent. The mannequin on notify within the Museo Galileo enables one to take a look at this result by building two tracks: one formed esteem a cycloid, the different formed esteem the arc of a circle, for comparability. Whereas you roll two balls down every phrase concurrently, the one on the cycloid course will attain the bottom first, regardless of where one starts the ball along this crooked course.
There is so remarkable to bask in within the Museo Galileo sequence: a mannequin of a Gravesande column (an intricate pulley design to select out a weight six times larger than the difficulty utilized); a lens-grinding lathe; and numerous neatly-organized machines designed for experiments with electrical energy. There are also numerous wax items of a child within the womb in diversified positions, the upper to put together docs to take care of birthing concerns, and an interpret chemistry cupboard that belonged to Tremendous Duke Peter Leopold. These galleries must give you a style of what is on provide, till it be all over again safe to slump to Florence to survey the reveals firsthand.
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Series of larger telescopes.
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A quadrant (1667) constructed by Carlo Renaldini, former for mountainous observations and measurements.
Jennifer Ouellette -
Series of vintage microscopes.
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Containers of mathematical devices (calipers, compasses, rulers, quadrants, protractors, astrolabes, etc.) for surveying purposes, from the late 18th to early 19th century.
Jennifer Ouellette -
A Brachistochronous descend from the mid to late 18th century.
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A mannequin of a weight lifting tool identified as an Archimedean screw, mid to late 18th century.
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A Gravesande column equipment, late 18th century.
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A 19th-century globe for experiments with bladders in a vacuum (prime), and a minute single-barrel air pump (bottom) from the late 18th century.
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A lens-grinding lathe from the mid to late 18th century.
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A Winter plate electrical machine, the very finest of its style serene in existence, mid to late 19th century.
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An early 19th-century frictional electrical machine with glass disk rubbed by four leather-based mostly utterly cushions.
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A modification of a Carre electrical machine combining friction and induction, circa 1890.
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A portable pharmacy, late 18th to early 19th century.
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The man himself: a bust of Galileo by Carlo Marcellini, 1674-1677.
Sean Carroll
Listing image by Jennifer Ouellette
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